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Relaxed Elegance Since 1977
Relaxed Elegance Since 1977
Relaxed Elegance Since 1977
Relaxed Elegance Since 1977
Relaxed Elegance Since 1977
Relaxed Elegance Since 1977
Relaxed Elegance Since 1977
Relaxed Elegance Since 1977
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When she was a student at Chelsea College of Arts in London, cramming into basement shows and pubs in the less salubrious side of town and putting on DIY exhibitions, Mayumi Yamase found it hard to imagine a world where painting and making art would pay the bills.
A generously sized piece of outerwear synonymous with the protean British weather.
The mid-wale corduroy tab collar and soft oxford cotton lining lend a sense of comfort to a timeless and rugged jacket that is just smart enough to throw on over a suit.
No fabric fires our imagination like tweed. It’s functional, durable, elegant and singular, tweed is as versatile as it is beloved. The only substance we feel such a connection to is Scotch. That’s no surprise - they both originate from Scotland, and they both get better with age.
During a Drake’s visit to Tokyo, Creative Director Michael Hill took a few laps around the streets of Omotesando—a polished stretch of retail stores, konbinis and office blocks— wearing some highlights from the autumn collection. Arriving in a typical palette of colourful checks, Madras cotton (ideal for a humid day in the city) is sourced from Chennai, where it’s home-spun by hand, before being pieced together in our Somerset workshop.
Cut from an Italian ripstop cotton fabric, this fishing vest takes its influences from mid-century vintage examples found in our research archive.
A crucial element of any transitional wardrobe, the Shetland jumper is ideal for adding a touch of collegiate charm to any look, and is a piece of indispensable year-round layering.
We’re fascinated by liminal spaces because they exist on the edges of what we know and what we fear. It’s where we confront the quiet tension of waiting, the unease of not knowing what comes next. They force us to acknowledge that we are always in a process of becoming, and this ambiguity, though unsettling, is profoundly human. It also makes for really good photos.
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